Augsburg2030
  • Home
    • About >
      • Augsburg 2030 >
        • Prayer for Augsburg and the Unity of the Unity of the Church >
          • Gebet für Augsburg und für die Einheit der Kirche
        • Augsburg Day 2025 Celebration >
          • To the ends of the Earth - North >
            • To the ends of the Earth - Augsburg Day 2030
        • Augsburg 2030 Deutsche
        • Una Sancta "Why are we still separated? Book >
          • Una Sancta "Warum noch Glaubensspaltung? Book
        • The Christian History of Magdeburg
        • Magdeburg the Third Rome >
          • Magdeburg das Dritte Rom
        • The Rich Spiritual Inheritance of Magdeburg >
          • Das reiche geistige Erbe Magdeburgs
        • THe Reformation and Magdeburg >
          • Die Reformation und Magdeburg
        • THE MAGDEBURG CONFESSION >
          • Das Magdeburger Bekenntnis
        • THE DESTRUCTION OF MAGDEBURG 1631 >
          • Die Zerstörung Magdeburgs 1631
        • Why Augsburg? >
          • Warum Augsburg? Deutsche
      • Augsburg Day June 25th >
        • Augsburger Tage 25 Juni
        • The Commemoration of the AC in 1630 >
          • Das Augsburger Bekenntnisgedenken im Jahr 1630
        • THE COMMEMORATION IN 1730 >
          • DIE GEDENKFEIER IM JAHR 1730
        • THe Commemoration in 1830 >
          • Die Gedenkfeier im Jahr 1830
        • Augsburg Day 1930 >
          • Augsburger Tag 1930
        • Augsburg 2030 Supporters >
          • Augsburg 2030 Unterstutzer
          • Luther Congregational singing and the 30 years war
      • Una Sancta (US) >
        • Post War Developments of Una Sancta
        • Brandenburg 2024 >
          • Brandenburg 2024
        • Dr Max Josef Metzger - Una Santa >
          • METZGER ORATORIO >
            • METZGER ORATORIUM
          • Metzger : He was a musician!
          • Dr Max Josef Metzger - Una SanCta
          • Die Sammlung - The Gathering >
            • Die Sammlung
        • Post War Developments of Una Sancta >
          • Die Una Sancta-Bewegung nach dem Krieg
        • Luxembourg Agreement 1952
        • Celebrating the 70th Anniversary of the Luxembourg Agreement
        • Das Luxemburger Abkommen 1952
        • GEDENKFEIER DES 70. JAHRESTAGS DES LUXEMBURGER ABKOMMENS 2022
        • 'Hear! O Israel' Oratorio Deutschland 2022
        • JDDJ 20th Anniversary >
          • 20. Jahrestag der Gemeinsamen Erklärung zur Rechtfertigungslehre
        • Prince Georg Von Sachsen S.J. - Una Sancta >
          • Prinz Georg Von Sachsen S.J. - Una Sancta
      • Contact
  • Choral works
    • Oratorios >
      • The Incarnation >
        • Die Inkarnation
      • Maria - Deutsche Oratorio >
        • Mary Oratorio
      • "Hear! O Israel"
      • The Kingdom of God Oratorio
      • The Wedding Feast of the Lamb
      • Mine Eyes Shall Behold Him
    • Other Choral Works >
      • The Communion of the Saints
      • Deutsche Messe Die Rosen >
        • Choral work to honor Adenauer
      • Gefangnisgedichte Prison Poems Song Cycle
      • A Dresden Requiem
      • Mass of the Son of God
      • Misa Del Corazon
      • Mass of Praise
      • Requiem Gloriosam
      • Gulshan - The Torn Veil
    • CD's >
      • Alegria
      • Lord We Give Thanks
      • Gentle Worship
      • Mass of Praise
      • Requiem Gloriosam
      • Speak Lord in the Stillness
  • God Alone suffices
  • The Newman Cycle
    • A New Munster
  • Gefangnisgedichte Prison Poems Song Cycle
  • METZGER ORATORIO STORY
  • Cormac O'Duffy's Music and books
  • Cormac O'Duffy's Music and books
  • Augsburg Day June 25th
  • Die Augsburger Konfessionsgedenkfeier 1730
  • The spread of the Confession
  • Una Sancta "Why are we still separated? Book
  • THe Reformation and Magdeburg
    • Magdeburg the Third Rome
  • THE DESTRUCTION OF MAGDEBURG 1631
    • Bishop England
  • THe Christian Story of Magdeburg
  • Das Gedenken an die AC im Jahr 1630
  • Luther Congregational singing and the 30 years war
  • Luthers Gemeindegesang und der 30-jährige Krieg

MINE
EYES SHALL BEHOLD HIM
​

about fanny crosby

PictureFanny J. Crosby, American Hymn writer
FANNY CROSBY (1820-1915)
What strikes me about the American hymn-writer Fanny Crosby, whose words supply part of the libretto for the ‘Mine Eyes Shall behold Him' Oratorio’ is that she is so like us. For many of us who have been raised in Christian churches and in the ‘Christian culture’ of the west, Christianity has been ‘normal’ for us as it was for her, a natural normal way to think about life, death and service to others. Unlike most of us, she had been stricken with blindness from her youth by a botched operation by a wandering physician. However, she subsequently developed a phenomenal memory and by her mid-teens she had memorized all the four gospels and many passages of the Old Testament. In spite of this she had no ‘assurance’ of the truth of her faith, and she felt ‘she was holding the world in one hand and her faith in the other’. In 1850, an outbreak of cholera in New York urged her to attend a revival meeting taking place at a church in Broadway. After two nights attending the mission, and upon hearing Isaac Watt’s famous hymn ‘Alas and did my Savior bleed’ she decided to give herself completely into the arms of her Savior and not to let Him ‘pass her by’ any more. She found herself ‘filled with celestial light’.  From then on in her life, her gift of poetry was committed to writing hymns and she wrote more than 8,000 of them during her long life of service. Her final writing was on the day she died. After tending to a neighbor who has recently lost a child, encouraging her that her child Ruth was now ‘safe in the arms of Jesus’, she wrote what was her ‘swan song’ the verse ‘In the morn of Zion’s glory’. Later that day she passed to her heavenly reward where, as she always believed, her bind eyes would finally behold her Savior.
She said “Do you know that if at birth I had been able to make one petition, it would have been that I was born blind? Because when I get to heaven, the first face that shall ever gladden my sight will be that of my Savior." 
​

​ABOUT THE WRITING OF 'MINE EYES'

PictureAt the grave of Fanny J. Crosby Bridgeport, Connecticut
I was thinking of trying to write an ‘American Passion’, the story of the death and resurrection of the Lord in a format very loosely based on the structure of Bach’s St Matthews’ Passion, with reflections drawn from American hymn-writers, when I thought of using John’s Gospel with reflections of Fanny’s in terms of Arias, and Recitatives with Choruses and Chorales. This is what ‘Mine Eyes’ is.  You could say it is like Classical ‘Praise and Worship’, where it is a work to be listened to and not readily available to join in such as would be with modern praise choruses in churches today, but also unlike performances of Choral groups of Classical works where the emphasis tends to be on the skill of the performers and the execution and artistry of the work. I have tried to ‘marry’ the classical forms with modern sense of praise and worship music.  
​​

Picture
New York Institute for the Blind where Fanny was a pupil and teacher
Picture
It was premiered in Knoxville by a Choir from Presbyterian, Methodist, Baptist, Catholic and Seven Day Adventist Churches under the direction of Gabe Loving on 22/23 October and was  professionally recorded as a CD, the links of which are on this site.